It might sound macabre to suggest, but the lopsided power struggle between two partners has continued to be rich material for radio-friendly pop songs, including The Police’s “Every Breath You Take” and Carly Rae Jepsen’s “Call Me Maybe.” The narrator could also be a victim of Stockholm Syndrome, putting up with her cruel and abusive lover because “you’ve had a hold on me/No matter what you do.” Or, the narrator could be both obsessed and abusive, like Kathy Bates’ character in “Misery.” For all we know, she’s singing this song to someone she has tied up in her house, held captive. The narrator could be a stalker obsessed with the object of her affection, not realizing that the relationship doesn’t exist except in her mind. I said, no matter, no matter what you do, I only want to be with you No matter what you do, I only want to be with you That ever since we met you’ve had a hold on me ‘Cause you started something, can’t you see Now hear me darling, I just want to be beside you everywhereĪs long as we’re together, honey, I don’t care But on their own, the words suggest a romance that isn’t based on love or respect, but abuse or obsession: The Telegraph’s obituary for Hawker noted that he “brought a blend of toe-tapping optimism and rhyming wit to songs that detailed love on the rocks.” When paired with strings, drums and horns, Hawker’s lyrics sound almost sweet. But for lyricist Mike Hawker and arranger Ivor Raymonde, “I Only Want To Be With You” was career-defining. Both only released in the UK and available by internet (Bella Union label).This was one of many success for Springfield, who has been dubbed Britain’s “best ever pop singer” and had a prolific, wide-ranging career that included pop, soul, and R&B. A year later, followed by a compilation of 25 songs on the second doubble album "Odyssey – The Sound of Ivor Raymonde vol. His son Simon Raymonde, formerly a bassist with Drowning Craze, and Kieron Tyler (Journalist and friend) had collected a wonderful compilation of 28 songs where Ivor Raymonde had the hand in and released them on the doubble album "Paradise - The Sound of Ivor Raymonde". For now, there are hundreds of his arrangements, spread all over the world. Later he produced for Decca but kept writing arrangements. When Dusty Springfield decided to go solo with a new, soulful sound, late in 1963, he'd written a tune while on vacation that he played for her, and which the singer enjoyed, and then got lyricist Mike Hawker to add words, and that song became "I Only Want to Be with You." Raymonde's relationship with Springfield lasted until the late '60s, when she moved toward a more distinctly American-style soul sound in Memphis and Philadelphia. He also worked as a session musician on occasion, playing on and arranging skiffle star Johnny Duncan's hit "Last Train from San Fernando." From the BBC, he then moved on to become a producer at Philips Records, where he produced hits for Marty Wilde, The Springfields, Frankie Vaughan and Anne Shelton. He then became a music director at the BBC, alongside Wally Stott, where he supervised recording sessions. He played in a variety of bands, and started leading his own band by the early 1950s. Ivor Raymonde studied at Trinity College of Music, and initially entered professional music as a jazz and classical pianist.
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